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Blog archives: 2012

Happy New Year!

The Butterfly Effect

"To see a world in a grain of sand
And heaven in a wild flower
Hold infinity in the palm of your hand
And eternity in an hour."

William Blake

Happy New Year!
May you have a blessed 2013!


“Colored Pencil - Making Our Mark” Exhibition

Today I attended the "Colored Pencil - Making Our Mark" exhibition at the Mission Trails Regional Park in San Diego. It is located in the beautiful Visitor Center Art Gallery at One Father Junipero Serra Trail and will run until November 9th (hours are Sunday - Saturday, 9:00 AM - 5:00 PM.)

This is an exhibition of the following artists from the Colored Pencil Society of America San Diego Chapter: Bobbie Bradford, Deb Gargula, Carolyn Kenny, Kathy Lally, Katherine Miller, Karen Rhiner, Ester Roi, Susan Salazar, and Lori Sutherland.


Introducing Oversized Limited Edition Giclees

Oversized Giclee

I'm happy to introduce the oversized limited edition of 30 giclees of Yesterday, Today and Tomorrow.

Each giclee:

  • measures 25" x 52" (more than double the surface of the original)
  • is digitally captured and faithfully reproduced using state-of-the-art technology and archival inks
  • is individually proofed, numbered and signed by myself
  • is printed on UV coated, extra-fine texture canvas, gallery wrapped on 1-1/2 inch deep bars with black edges
  • is hand varnished by myself to mimic the glossy finish of the original
  • comes with a Certificate of Authenticity
  • sells for $950, plus S&H

Two weeks ago I sold giclee #1/30. Next week it will be on its way to San Jose, California.

Edit (10/18/12): read what Katherine Tyrrell wrote about this post on her blog  MAKING A MARK. To find her comment, scroll down to the Artists and Art Blogs section.


Reflections on My First Art Festival

The most valuable aspect of spending 62 days as an exhibitor at the Laguna Beach Festival of Arts was the direct contact with people. There are over 200,000 visitors every summer and I'm sure I spoke with at least several thousand. Finding out what they liked, why they liked it and how my art spoke to them, has reinvigorated my commitment and reshaped my future plans.

Knowing how to talk about myself and my work was of absolute importance. It's always a good idea to greet all the visitors while approaching only the ones lingering over the artwork. In place of putting them on the spot and asking if they had any questions, I would say something specific about the piece they were looking at, such as: "This was inspired by the Snake River in Wyoming," "This is my latest artwork" or "This poppy is floating below the surface in a bowl full of water." I would also talk about my inspiration, that nature is my muse and water my canvas, that I use water as a filter to study natural objects.

My technique really spiked the visitors' interest and curiosity. It's best to choose non-technical terms when explaining the art process. Using words that people can relate to makes for a comfortable conversation. For example, I would say something like this: "Do you remember melting crayons as a child? Well, in a nutshell, that is my process" and then I would fill in the gaps.

I've learned not to get too personal, not to talk about religion or politics, and to gently stir the conversation toward my work. Showing my best professional self in a positive and upbeat manner and expressing my enthusiasm have always led to productive interactions and sometimes to a sale.

Most people buy art because they feel an emotional connection to the artwork and the artist. My biggest discovery was finding out that my art, indeed, spoke to the viewers. Now I feel that I have a place within the art world and that my art speaks not only to me but to many others as well.

My Exhibition Space at the Festival


Back in the Swing of Things

The Laguna Beach Festival of Arts is over. Although I'm incredibly grateful to have taken part in such a renowned art festival, I'm also glad to be back in the swing of things and experience "normal" again, like studio time, my friends, family dinners, and all the stuff that makes life so great.

The most invaluable aspect of being at the festival was the direct contact with the thousands of people who passed by my exhibit space every day for two months. Finding out what they liked, why they liked it, and how my art spoke to them, has reinvigorated my commitment and reshaped my future plans.

Here's what's happening and what's ahead:

  • I'm showing at the Dana Point Ocean Institute with four Laguna Beach Festival artists.
  • Coming up in October is another group exhibition at the Mission Trails Regional Park Gallery in San Diego.
  • and are in the process of being restructured. Both will come with their own blog that will focus on separate areas: mine on my art and life as an artist, the other on the Icarus board and its technique.

Below is an image of a small commission that I just finished.

Poppy, No. 5


Festival of Arts 2nd Update

This is the eighth week of the Laguna Beach Festival of Arts. I can't believe there are less than three weeks left - time is going by incredibly fast. I wonder how I will feel when all of a sudden I won't have to drive to Laguna Beach every day.

The continuous contact with people who want to hear about my art can be very addictive and so is the always looming possibility of selling a piece. On the other hand I'm missing the time alone in my studio where I immerse myself in the creative process.

Before I know it I will be there again, in my studio, with a stronger and clearer purpose - making art that connects. The feedback I receive from the people visiting the festival is absolutely invaluable and will shape the art that I will produce in the coming year: new series, new perspectives, new challenges. I can't wait!